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Ever had a guilty musical pleasure? Sure you have. In addition to loving early Rod Stewart, various trilling baby-talk songs by Kate Bush and the complete recorded works of Tammy Wynette, I happen to also very much enjoy elements of Omaha, Nebraska party/loud pop/synchronized dance band TILLY AND THE WALL. And I saw them play live last night for the first time. And lo, it was good. 

I almost blew it off entirely, having bought the ticket right when the show was announced, yet before hearing their godawful new album “Heavy Mood”. As I wrote about back in 2008 when I first heard them, they’re probably the most overtly commercial indie-rock band I’ve ever liked, but that’s not damning them. Before their dumb dance-yr-ass-off new disco record with mostly terrible songs, they were a very unique act. Read my explanation here for what attracted me to them in the first place. 

As it turns out, that’s what they were like live, too. All cynicism melted away very quickly. I mean, they throw balloons into the crowd, people! Are you with me? Sure, one of the singers was right out of dumb-rocker central casting: “You guys are so AWESOME tonight, San Franicsco!”. “Oh my god you guys, your town is so AWESOME! Can I move here?” etc. But they played the songs I liked and very little of the new album, and they played them all with zest and panache. A woman tap danced. Their straight-up dance song “Beat Control”, which I actually had to talk myself into not rejecting out of hand when it came out, was great. I stayed through the encore. I’d probably even go again, knowing what I know now. So sue me.

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This is a flyer for a short-lived, never-recorded band called EARLY MAN SITE, live in San Francisco about 1991 or 1992. The band comprised all three members of MONOSHOCK, who had stopped playing in Isla Vista in 1989 when Grady Runyan graduated from college.

All had relocated to the San Francisco Bay Area by 1991, and Early Man Site had been formed by Scott Derr & Rubin Fiberglass back in Isla Vista in Grady’s absence. They reassembled that band in the Bay Area, with Grady on third guitar. Bruce Shinden and Tom Krueger were the other members of the 5-piece. That, of course, morphed into Monoshock mkII, minus Bruce, and with Tom often showing up on drunken saxophone.

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I got this book in the mail yesterday, and totally immersed myself in it for an hour before being called away for more important duties, like parenting and husbanding and being responsible & all that. It’s a fantastic look/read so far – capturing the early 80s LA suburbs and punk’s surreal explosion there better than anything I’ve ever seen, thanks to photographs of participants as opposed to solely of bands. More to come on this one.