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NOTHING DOING, Issue #1 from Spring 1994. It wasn’t a music fanzine per se – in fact it wasn’t one at all. It was published out of San Francisco by Brandan Kearney, who was doing time in Caroliner, The Steeple Snakes, Faxed Head, the Heavenly Ten Stems, The Three Doctors Band and the Totem Pole of Losers. He ran a label called Nuf Sed that put much of this out.

He was even in one good band – a great one, in fact – called World of Pooh, the only band on the list not given to high concept, low return….and the only one in which real meant-to-be-enjoyed songs were written and played. He shared vocal and guitar duties in that band with Barbara Manning, and I hope you know about her. (If not, there’s a terrific discography to mine).

Anyway, Kearney had a pretty unique and wacked vision of the world, informed by weird religious tracts, thrift store records, conspiracy theories and extreme and ahead-of-its-time notions of anti-comedy. NOTHING DOING was the result of that, and it’s definitely worth a read in my house every 5 years or so.

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fuckinrecordreviews:

“…they’re all wonderfully celebratory herks & jerks in the patented blink-and-you-missed style.”  – J Hinman

DISTURBED #2 1995 (page 17), ROBERT PLANTE, Editor

  • Last month we celebrated JIMMY JOHNSON as Fuckin’ Record Reviews’ inaugural UNSUNG HERO OF ROCKNROLL WRITING. There was a Forced Exposure discography at the end of the Jimmy Johnson interview in which Byron Coley tossed off comments about each release, with Disturbed editor Robert Plante adding unauthorized liftage from other sources. 
  • The Minutemen review above does not appear to include Coley commentary, but instead swipes an equally sharp JAY HINMAN review from Superdope #7 (1994).
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backstreetsbackalright:

There’s a pair of previously unreleased – and really good – tracks from Dadamah out on Grouper’s Yellow Electric label that I can’t get enough of right now. Looks like this 7” has been out for a while, but only just came to my attention with the recent release of that Roy Montgomery comp, also on Yellow Electric. Initially, I sort of dismissed it, thinking that Dadamah’s music had already been pretty comprehensively compiled, and falling back on that old complacent rule that “previously unreleased” so often means “didn’t make the cut.”

Thankfully, haunting B-side “Absent and Erotic Lives” opened the latest Dynamite Hemorrhage podcast, and caught me off-guard. Metronomic rhythm and preoccupied guitar strums are definitely okay by me, but this track stands out by virtue of a building, anxious tension that haunts (with some help from those keyboards) even as it hypnotizes. With more of the same on the A-side, this turns out to be pretty ideal material for Yellow Electric.

Vinyl here. mp3 here.

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Fantastic Swedish garage punk fanzine from the late 90s, put together by Henrik Olausson in Landskrona, Sweden. HUMAN GARBAGE DISPOSAL was written in flawless English, and moved beyond the Rip Off Records/In The Red sound it initially mined into old 78rpm stuff, blues, books/film and various stripes of underground rock.

If anyone knows where Mr. Olausson is, can you have him drop me a line?

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TOO FUN TOO HUGE! fanzine, issue #2, from 1988. The editor was Patrick Amory, and the magazine has a great, snark-heavy, uber-opinionated feel that was (and remains) right up my proverbial alley.

I’ve added a 1-page piece from this issue about record collecting from Amory. No doubt this guy lived it, and was a front-lines record collecting commando at Midnight, Bleeker Bob’s and St. Mark’s around this time.

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DRUNKEN FISH was a label and (briefly) a fanzine based out of Santa Monica, CA.

Darren Mock was the guy behind the mini-empire, and a friendly guy to boot whom I met a couple of times in the early 90s. To the best of my knowledge, the ‘zine only came out once. Its focus was collector-scum 45s and underground rock music in limited editions. This great piece by Dave Stimson (one of the fellas behind Touch-n-Go fanzine) provides a nice flavour.

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Not especially readable – but here’s a split interview w/ San Francisco’s ICKY BOYFRIENDS and Toronto’s LEATHER UPPERS – who shared a drummer – from the pages of Portland’s Snipehunt fanzine, a mag I’d love to find some back issues of (especially if anyone saved the “Zip Code Rapists break up” issue….). Enjoy your squinting.