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I was going through some old files and found that I’d actually written a batch of record reviews for Eric Friedl (aka Eric Oblivian)’s WIPEOUT fanzine in 1998 that I hadn’t seen nor remembered since that time.

I’m not even sure where to find the mag itself, but now that I have the reviews, I figure I’ll post them up here in the weeks to come. I appreciate Eric letting me yak up this stuff in his pages. I had “retired” from the print fanzine business that year, a retirement that lasted 15 years.

This one’s a record I also haven’t heard since 1998. Has anyone?

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These two jumbo music books are sitting on the nightstand, ready to be plowed through over the course of the winter.

There’s “SUB POP USA”, which has very little to do with the successful label of the same name and instead with the fanzine Sub Pop, or Subterranean Pop, which Bruce Pavitt published nine issues of from 1980-1983. I’ve never seen that mag before, but all 9 of ‘em are here. Pavitt then carried on with a column for Seattle’s free rocknroll rag The Rocket from 1983 to 1988, before ramping up the label. Those columns – and more – are all here as well.

The second book is the first printed matter from HoZac Books, and it’s called “NOISE IN MY HEAD: Voices From The Ugly Australian Underground”. It’s by Jimi Kritzler, and it documents the most recent 5-10 years of of Australian rock grunt. Everything from Total Control to UV Race to Fabulous Diamonds (yeah!) to a dozen others I’m not entirely familiar with. Yet.

I’ll emerge from the bed in 2015 to tell you about both books, all right? In the meantime, you can order each at the links.

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The bizarro INFLATABLE BOY CLAMS double 45 from 1981 is coming out via reissue on Superior Viaduct in about a month. Dangerous Minds did a piece on them in anticipatory celebration.

This record was a popular one on the college station I listened to in my youth. Here’s what I wrote about it on Agony Shorthand nine years ago:

INFLATABLE BOY CLAMS : “INFLATABLE BOY CLAMS” 2×45…..

Yesterday mention was made on this site of the ocean of bizarro, shoestring-budget obscurities pouring out of the Anglophilic countries circa 1978-82, many of which are slowly being brought back to consciousness thanks to mp3 blogs, tribute sites and comps like Hyped2Death’s MESSTHETICS and HOMEWORK series. One such record I remember quite well, but never owned until I found this web site & scooped up all five tracks, was the darkly weird INFLATABLE BOY CLAMS 2×45. 

KFJC, my teenage radio station of choice, used to play the novelty track “I’m Sorry” from this set all the friggin’ time, and the first time I heard it, it was my favorite song the whole rest of the day. Then I’d hear it three more times a day & the sheen wore off fast – and until last week, I hadn’t heard it in over 20 years (!). “Skeletons” sounds like the rarely-glimpsed side of 45 GRAVE that was keyboard-heavy & proficient in dark, campy cabaret rock. It’s a little goofy, but jarring and endearing nonetheless.

The band were part of the small scene that sprung up around San Francisco’s Club Foot circa 1980-81, a scene that existed on the fringe of the far more extreme FACTRIX/MONTE CAZAZZA/SRL stuff that was big in play at the time & was certainly a ways off from FLIPPER, THE LEWD and their misanthropic ilk. If they’d been from LA, their pals would likely have been the LAFMS crew like MONITOR and BPEOPLE. I’ve never heard PINK SECTION (to my knowledge), but two members of that band were in the Clams as well. Lots more can be learned at the aforementioned Inflatable Boy Clams tribute site. They must have been together only long enough to record this one session, because a band with four females making their own off-beat, deliberately tuneless racket should have been a hot enough property for at least a Subterranean or even a Rough Trade record deal, wouldn’t you think? The more I listen to these tracks, the more they transcend the kitschy novelty aspect, and head toward something a little more timeless and interesting. Let’s reevaluate this thing again a few years from now, what do you say?

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NOW AVAILABLE directly from us or from great distributors & stores like Forced Exposure, Revolver USA, 12XU, Astro Black, Inflammable Material, Aquarius Records, Fusetron Sound, Nat Records and Goner.

It’s DYNAMITE HEMORRHAGE #2.

Dynamite Hemorrhage #2 is an 84-page music fanzine dedicated to raw and sub-underground rocknroll from the last 5 decades. This one just came out in late November 2014.

It features:

– An interview and career-spanning retrospective with BILL DIREEN, the New Zealand-based musical iconoclast and creator of some of the most weird and wonderful underground pop music of the last 35 years. Great old photos of Vacuum, Six Impossible Things and more – with Direen’s take on his many recordings, bands and general outlook on creation & creativity.

Tim Warren from Crypt Records, on the eve of two new volumes of the mind-destroying “BACK FROM THE GRAVE” 60s punk compilations, takes us through in profanity-strewn detail how he’s been putting these comps together since 1983, and the pain the man has endured to make sure you and I get to hear some of the most raw and rare rocknroll chaos of all time…!

– Interview with bedroom lo-fi pop savants HONEY RADAR, currently making many short, abrasive and lovely mini-masterpieces out of Philadelphia

– Interview with NOTS, raw and slashing earworm punk band from Memphis

KING TEARS MORTUARY, Sydney, Australia’s answer to the question “What would a mix of C86, KBD punk and The Gories sound like?”

Erika Elizabeth’s overview of lost and neglected female-fronted punk and post-punk bands and records you’ve never heard of

The Layman’s Guide to 1970s Jamaican DUB – an overview of wild, weird and wacked dub reggae created during its peak era, along with ten essential dub recordings, explored

– Interviews with Jon Savage and Stuart Baker on the new PUNK 45 series of archival 70s punk reissues

– 87 record reviews
– 15 book reviews
– Advertisements from today’s top hitmaking labels

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https://api.soundcloud.com/tracks/179737606/stream?client_id=3cQaPshpEeLqMsNFAUw1Q?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio

The purported theme of our podcast, magazine and blog is “raw and sub-underground rocknroll from the last five decades”. This new edition of DYNAMITE HEMORRHAGE RADIO, #50, goes heavy on the first and most recent of those decades. Two blazing new tracks from the just-released 60s punk comp “Back From The Grave, Volume 9” make their 21st century online debuts here – and if that’s not reason enough to download or stream this thing, there’s new material from the likes of Parkay Quarts, The Coneheads, Le Skeleton, Germ House, Leggy, Honey Radar, Rakta, Sauna Youth, Bent, The Blind Shake and Pampers. Pampers!

There’s a blown-out bootleg recording from the Velvet Underground, a little punk rock tomfoolery and all sorts of needless verbal blather from the host. In all, it’s 74 minutes you won’t ever get back – unless you play it a second time.

Download Dynamite Hemorrhage Radio #50 here.
Stream or download Dynamite Hemorrhage Radio #50 over on Soundcloud.
Subscribe to the show via iTunes.

Playlist:

THE FOUR – 69
PARKAY QUARTS – Pretty Machines
HONEY RADAR – Drink Your Magazine (live)
REALLY RED – No More Art
SACCHARINE TRUST –Mad at the Company
CONEHEADS – Violence
SHITKICKERS – Debaucher
BENT – Space is Bent
RAKTA – Tudo que e Solido
LUCRATE MILK – Dritte Blinde Meusse
LE SKELETON – Cut Your Finger
SILVER APPLES – Ruby
MUSIC MACHINE – Point of No Return
THE BLIND SHAKE – Old Lake
PAMPERS – Right Tonight
LAZY COWGIRLS – Meat Shop
NEVERMORES – The Way It Is
SAUNA YOUTH – Transmitters
LEGGY – Sweet Teeth
CHRIS KNOX – Meat
GERM HOUSE – Best Laid Plans
VELVET UNDERGROUND – What Goes On (live; from “The Legendary Guitar Amp Tape” bootleg)
KNOLL ALLEN AND THE NOBLE SAVAGES – Animal

Some past shows:
Dynamite Hemorrhage #49    (playlist)
Dynamite Hemorrhage #48    (playlist)
Dynamite Hemorrhage #47    (playlist)
Dynamite Hemorrhage #46    (playlist)
Dynamite Hemorrhage #45    (playlist)
Dynamite Hemorrhage #44    (playlist)
Dynamite Hemorrhage #43    (playlist)
Dynamite Hemorrhage #42    (playlist)
Dynamite Hemorrhage #41    (playlist)
Dynamite Hemorrhage #40    (playlist)