By the late ‘70s, Dokken, then a confirmed hard-rocker, was active in the local music scene. But when he was looking for a record deal in the early ’80s, heavy metal was out. The softer, quirkier sound of New Wave was dominant then. Dokken still carries a grudge against that music–in particular, the Knack’s huge hit, “My Sharona.” “That song single-handedly ruined my career back then,” he recalled with a sneer. “Everybody was singing like that for a while. The local clubs stopped booking metal bands. Wimp music was in. That’s when the Cars and Devo and Elvis Costello came out. It was cool to stand real still on stage and be nerdy-looking. It was in to be a geek. I had real long hair then. I didn’t fit with the wimps. And where are The Knack now? Flippin’ burgers!!”
Nuke The Knack!
I tried to find a photo of the buttons or bumperstickers that accompanied the Knack backlash to no avail. I remember the hatred very well.

Another terrific post over on Waitakere Walks, this one on the UK press’ response to US-based punk in the late 70s.
I’m a stone-cold sucker for wacky girl-group songs of the 50s/60s, particularly if there’s lots of whooping and hollering in the background, and especially if there’s a lone male in the mix doing a frog-voice vocal fry to make the proceedings even nuttier. Thus, “Low Grades and High Fever” by LINDA LAINE (WITH THE SINNERS) wins high marks across the board from me, as I’m sure it will from you.
I know there are folks who thought Texas’ MARKED MEN were the hottest garage/punk thing of the past ten years, and if this were their only track, I’d totally believe ‘em. From a split EP they did with another band called “This is My Face” or something inane like that, and it’s called “Whip Me”. Punkers!
The rest of the Marked Men stuff I’ve heard – which granted, is not the whole catalog – is medio-cre at best, leaning closer in the singalong, hook-filled Green Day mode than toward the dirty and the true. And the guy singing on this track doesn’t sing most of those tracks either. Enjoy this and let me know if I’m wrong.
This slobbering, uncaged classic from 1980 is so dumb and obnoxious, you’d have been forgiven for thinking that it was a “punk scare” warning record made to encourage parents to search their teenagers’ record collections. Perhaps the producers of punk-themed episodes of “Quincy” or “CHiPS”, the Christian church or the Young Republicans of Terra Haute, Indiana could have pulled it off – but not as well as Indiana’s THE PANICS did. What a monster record!

Cool article on the history of NEW YORK ROCKER magazine from Perfect Sound Forever this month.
Dynamite Hemorrhage wants you to get your spastic groove on vis-a-vis the currently active, London-based band CHAPTER 24. Their latest 45 on Odd Box Records, “Spindle/4454”, is a frantic, speedy shard of postpunk & is the best thing we’ve heard from them (there were two very good singles before this one as well).

The new Mudhoney documentary “I’M NOW” is something I participated in as an interviewee a couple of years ago, but I’ve yet to see it. Check it – I’m even listed in the cast – last in a field of dozens!

