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I just got to finally hear the MARS “Live at Artists Space” LP and it’s pretty wild. It suffers, as all live albums do, from being recorded and not actually live. You miss the deep, ringing thud of the atonal and raw sound of Mars churning through your ribcage and inner organs. They’ve always been my favorite of the No Wave bands, and their tracks “3E” and “Helen Forsdale” are among some of most crazed and legendary rocknroll of all time.

The LP has two sets from Mars’ turn at the festival in May 1978. Recording is pretty good, as these things go. Most of their tracks start with tribal drumming that enters and starts scattering into shards, almost like a warning, with guitar scrape and caterwauling vocals from another planet following posthaste. Each of the 2 sets have pretty much the same track order, and the closing “Puerto Rican Ghost” from the second set appears to have Lydia Lunch “sitting in” on “vocals”. Here’s what the label that put this out, Feeding Tube, had to say about it:

In May of 1978 there was a five night music festival at Artists Space on Hudson Street in Tribeca. Although almost no one cared at the time, the event has since entered the halls of legend, as one of the signal events in the history of the No Wave era – one that managed to include both the Lower East Side bands and those fronted by their Western contemporaries. On the final night of the festival the two bands playing were Mars and Teenage Jesus and the Jerks. What we are presenting to you today are both sets by Mars – the most mysterious, and bizarrely-styled NY band of their day. One set takes up each side, and while they are similar in song selection, it’s wild to hear how different they are in terms of attack, sonics and approach. The quartet – Nancy Arlen, China Burg, Sumner Crane, Mark Cuningham – was never captured at its mutational best in the studio, but this live slab is revelatory. Tunings, structures and rhythms from a place Capt. Beefheart once called “the other side of the fence,” this is Mars at their most glorious. A futher live Mars LP will be forthcoming in the spring. 

The new LP mentioned here is now out, and I’ll be getting to that one presently.

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I truly don’t know much about THE GUARANTEED UGLY. They were associated with Billy Childish and the Hangman label for a while, and their first album (which I don’t have, yet need to have) came out in 1995 and featured this savage track. They were from the UK, had a couple releases on Sympathy in the US, and pfft – that’s all I know (right now). 

“Fire Escape”, this track, is severe in its use of volume and throat-scraping vocals to invoke a Pretty Things/13th Floor Elevators hybrid gone seriously off the rails. Best listen on your headphones. NSFW.

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You know who used to put this excellent early-90s fanzine out? Brian Turner, WFMU honcho and tastemaker extraordinaire, that’s who. Turner was ahead of the game, nailing revealing interviews on his lonesome with Giant Sand, Stereolab, Royal Trux and Mo Tucker (!).

I’m not entirely sure, but I think this was the final issue. I got tired of digging fanzines out of my garage to scan this morning so I just grabbed the first ‘Looch I could find. More such scans to come this week.

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https://open.spotify.com/track/3z1PjTVmpyIWynwbl4PRBq?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio

I was right. The new THEE OH SEES album (they’re calling it an EP) is spotty and hard to listen to without your hand hovering near the skip button – like all of their records. A total “singles band” for our time.

This track, and “Flood’s New Light” & the mellow “Goodnight Baby” would have made for a helluva REAL 3-song EP. Overall this one’s got some psych and even Kraut-y touches, along with a dollop of pop and the usual garage wackiness. Their fatal flaw continues to be lack of self-editing. One nice EP-length release every 18 months might be just about right.

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You know how many bands aren’t particularly talented? This isn’t one of them. Seattle’s ZEBRA HUNT are a new trio with a big chunk of leg stuck in the harmonic mire of 1980s New Zealand (Verlaines in particular, with louder, more ringing guitar). There’s a little Byrds action and more rickenbackers than you can shake a clump of flowers at. 

Download their EP for free over on their Bandcamp page – it’s good.