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Dynamite Hemorrhage’s Top Tumblr Annoyance, 10-4-12

Here’s my Tumblr pet peeve. Lots of folks can create content in the blink of an eye, and when sharing a photo, that’s exactly what makes the platform great. Throw it up there with no accompanying text, and let the visual speak for itself. It can be “consumed” in the space of one second.

With a song, which Tumblr makes just as easy to upload, consumption asks for and requires much more from the consumer. So don’t just plaster up a song with zero explanation, OK? Most of us are looking at this stuff on work computers and/or mobile phones, and aren’t in spaces in which we can easily start listening to the music in question. For me, I need to pick and choose what I’m going to listen to, and though I’m following a bunch of obviously well-informed music curators, listening to your rad song is likely going to be later than when I first see it. I’ll get to it when I’m in the car & have my phone hooked up to my car speakers, or when I’m at home and have some solo time to scroll through my feed and actually consider all the music being thrown at me.

Help yourself cut through the clutter, and give me and everyone else a reason to click on the songs you post. Who’s the band, when’s it from, what sort of musical lineage does it spring from – that sort of thing. You’ll make a Tumblr greenhorn like myself mighty happy.

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https://www.tumblr.com/audio_file/dynamitehemorrhage/32835576722/tumblr_mbcc8svQan1rex6a7?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio

Anyone remember the ABE FROMAN “Baltimore is Scum” EP from 2000? Hey, not me! That won’t stop me from throwing this track from it at you for goodtimes’ sake.

As I understand it, they were a trio from East Lansing, MI at the turn of the century, and, having heard the EP, it’s not like it’ll blow your female-fronted punk-loving mind across the board, but you’re certain to agree with me that the kick-off track “Russian 101” is a ripper. 

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Two of these three individuals were my roommates circa 1988-89, and their band, ALICE FELL, were widely considered at the time to be the best our college town of Isla Vista, CA had to offer – and the ones poised for eventual success beyond the boundaries of Del Playa and Sabado Tarde Blvds. Ironically, MONOSHOCK sprang from this scene as well, and though it couldn’t quite be seen at the time, they ended up having an impact on multiple folks’ musical development even beyond US borders. Rad.

Alice Fell were were a heavy indie band with one foot in “Workingman’s Dead” and the other in “VS.”, though no one in the band claimed an affinity with either the Grateful Dead or Mission of Burma. They were all into SST stuff, Neil Young, some hardcore punk and even tripped-out krautrock before anyone cared about that stuff. They even nailed a couple of opening gigs with The Lazy Cowgirls in Los Angeles around that time, which we thought was pretty big-time. Great guys, great music, and they never recorded a thing. May their legacy live on in the hearts and minds of those who loved them.

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Here’s my latest mix up on 8Tracks called CHICK HABIT. It’s a collection of female-fronted masterpieces from the modern age, including stuff from the 60s, 70s, 90s and hell, even 2012. Everything’s got a little bit of harmony, a little bit of dirt, and a girl or a woman in the lead vocal position. Examples include Sally SkullWorld of Pooh and Holly Golightly. Fall in love all over again.

http://8tracks.com/hedonistjive/chick-habit

  1. SALLY SKULL – Running Kind
  2. THE WENDY DARLINGS – Get Up
  3. WORLD OF POOH – Strip Club
  4. PAMELA – I’m Nobody (Cold Shoulders)
  5. HOLLY GOLIGHTLY – I Can’t Be Trusted
  6. NORMA TRACY & THE CINDERELLA KIDS – Skateboard
  7. CRACK UND ULTRA ECZEMA – Buddy’s a Good Boy
  8. LOVE IS ALL – Motorboat
  9. LORETTE VELVETTE – Boys Keep Swinging
  10. THE COATHANGERS – Bury Me
  11. GAZE – So Early To Tell
  12. LES CALAMITES – Le Supermarche
  13. LUSH – Hey Hey Helen
  14. THE GORLS – Tracie
  15. THE NIXE – You Say
  16. THE SCHOOL – I Wouldn’t Know What To Do
  17. LINDA LAINE – Low Grades & High Fever
  18. HABIBI – Far From Right
  19. DETECTIVE AGENCY – Daggers
  20. APRIL MARCH – Chick Habit
  21. NANCY SINATRA – You Only Live Twice
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https://www.tumblr.com/audio_file/dynamitehemorrhage/32744346909/tumblr_mba1qdEAo41rex6a7?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio

From 1973, this 45 by French-speaking Canada’s MADELINE CHARTRAND is a hippie singalong global psychedelic lovefest of the highest order. We use the term “earworm” here pretty frequently, but since this song relies on repetition and chanting to snake its way into your cranium, it’s almost quasi-religious in its ability to get in your head and STAY there for a week at a time. Enjoy!

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Thanks to Chris for getting this into my hands….

“For the majority of newbie Flying Nun collectors, The Max Block’s eponymous (and only) 12-inch release is more myth than fact. Few seemed to have been pressed, and even fewer were available in the brief window of time (mid-’80s) when it was “around.” Unknown until very recently was that a second EP had been recorded and slated for release by Flying Nun but never realized. Air Ache in the Belly of the Leech is a compendium of both, and thus the complete recorded works of The Max Block. You’re welcome.

Some background: The Max Block is where Maryrose (née Wilkinson) and Brian Crook—now the power couple behind The Renderers—joined forces for the first time. Maryrose was coming out of Above Ground, and Brian out of Scorched Earth Policy. With the enlisted talents of Rebecca Shanahan and Robbie Stowell, The Max Block pushed different boundaries than other active Christchurch bands at the time; they came out slinging a brain-splattering goo of art-spaced, Pere-Ubu-seared cerebellum, and frenetic, Mars-fried medula oblongata. Such tantalizing aromas! Pardon me, garçon, but make mine deux.

Bottom line, Siltbreeze is proud to make available this remarkable and awesome collection, much of it seeing the light of day for the first time ever. Edition of 500.”