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After posting the wall-pinning track “Muchos Dracula” from Seattle’s TEA COZIES for you yesterday, I decided to do a little back catalog digging on the band in order to provide you with a more rounded picture of this band. Like I said yesterday, their oeuvre goes back to 2006, and it looks like they’ve been laying pretty low for the last three years. Thankfully it’s all on Bandcamp so you can do your own exploring.

My take is that they’re probably peaking right now, because nothing, aside from a great, poppy 2008 45 called “Pretty Pages”, can touch their wild new track. Tea Cozies are rooted in post-punk gronk, along with glossy sheen of fairly indie-esque pop music, and in the right hands that could still be some dangerous stuff. Their album “Hot Probs” from 2009 is more like B- material, with several songs approaching the 6-minute mark and one chorus too many on the others. I’m all for seeing where they go next after this recent mp3 leakage. You still with me?

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SOUTH BAY RIPPER was an early incarnation of the San Jose-based fanzine RIPPER that took hardcore punk’s reigns around 1981 and ran with ‘em, hard. This issue came out in early 1980, a pre-HC era in which the editors of this magazine were pontificating about Nick Lowe & Elvis Costello while arguing about what was “new wave” vs. what was “punk”.

There’s even a column in here in which a writer argues that he’s come up with an even better term for the paradigm-busting sounds of the day: “modern music”! 

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Check out this brand-new, massive, wall-of-wurlitzer floor-thumper called “Muchos Dracula” from a Seattle band called The TEA COZIES, who appear to have been around for some time now (since 2006 – like, ancient!). How come they never knocked on Dynamite Hemorrhage’s door before to tell us what they were up to? This’ll please indie kids, pop-leaning garage punks and maybe even folks who like to “dance”. 

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Here’s a great stupid 45 from from earlier this year – FERAL BEAT’s “Canned Heat”. Absolutely love this thing. Here’s what I wrote about it on my Hedonist Jive blog back in March:

When I was a younger man I definitely went through a very pronounced “dumb is good” phase with regard to punk-inspired music. The whole “KBD” thing was in full swing in the early 90s, and 70s/80s bands like The Mentally IllThe Mad and The Authorities proved that having absurd lyrics and retardo riffs were no hindrance to creating transcendent punk rock art. So it was with current bands of the era as well. I loved simple, minimalist garage punk as long as it captured that Urinals/Desperate Bicycles sense of barely knowing how to play but still succeeding to bash out something brilliant anyway. So bands like The MotardsThe Inhalants and even The Red Aunts (!) were on my cool radar at the time. A lot of it didn’t age too well – one could argue that I haven’t either – and I’ve been a lot of more skeptical of dumb-ass rock and roll for at least a decade or two of quote-unquote adulthood ever since.

Until FERAL BEAT, that is. Feral Beat are an active two-person guitar/drum, boy/girl act from Memphis. The fella is from a punk band called The Useless Eaters, which is a great name for those of you who’ve studied your Bloodlands history and such, but not a band I can say has moved me to date. When I first heard their new 45, “Canned Heat/Cold Lover”, I thought it was maybe the stupidest thing I’ve heard in a coon’s age. Like something a 24-year-old would like! Then I listened to it again. And again. And then that feeling showed up again, that one in which you know that the band you’re listening to has moved beyond lyrical ineptitude and musical ineptitude and into an otherworldly, godlike level of calculated primitive, raw and savage ineptitude that’s somehow absolute genius. They made me into a philistine again, one who loves dumb riffs, faggy vocals, awful lyrics and the like. And all was then good. And one of my favorite records in the world right now was so enshrined. And now I tell everyone who asks me what’s good, I say, I tell ‘em, "Feral Beat is what’s good". And now you shall know as well.

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Since we’re posting fanzine scans, why not take a gander at the last one I made? This is SUPERDOPE #8, which came out in 1998. I have plenty of extra copies, for what it’s worth, and will mail one anywhere in the world if you’ve got $3 to Paypal me at jayhinman@hotmail.com. $4 for Canada, $6 everywhere else. 

It contains a long article called “45 45s That Moved Heaven and Earth” and is exactly what it sounds like. There are reviews of more current records of the era as well. 

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This is a raw-throated punk smoker from a defunct Memphis band called THE OSCARS. Not sure whom I believe about this one. Were they a late 90s band, whose single from whence this comes was delayed until 2007? Or did it emanate from only a mere half decade ago, and is thus nearly an artifact of our age?

Perhaps only the wisest of sages know the truth.