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This is a photo of ARTHUR J & THE GOLD CUPS live in Los Angeles at the Masque 1978, taken from a very early issue of Flipside. They never recorded, but they frequently turn up in descriptions of wild Masque life.

Description of the band, courtesy of Stompbeast blog:

Depending on who you talk to this was a pioneering “punk rock big band” who was 20 years ahead of its time or a “godawful” absurdist joke. Name came from an amalgam of infamous local haunts for male hustlers: Arthur J.’s was a “big chicken hawk hangout” on the corner of Highland and Santa Monica Boulevard; The Gold Cup was “a sleazy coffee shop” located on Hollywood Boulevard and Las Palmas near the punk club THE MASQUE and its attendant squatter’s tenement THE CANTERBURY and was the subject of the scum-punk song “Trouble at the Cup” by DANGERHOUSE RECORDS chairman Black Randy. Considered by some to be the house band for The Masque, as it first emerged out of jam sessions at the club. The club’s owner BRENDAN MULLEN played drums. Quasi-Gold Digger backup singers wearing cowboy hats and toy pistol holsters dubbed The Cupcakes. Aptly named frontman Spazz Attack (a.k.a., “Craig Allen Rothwell”) was known for successfully executing 360 degree flips in the middle of a song. He playing Devo’s famed Booji Boy mascot (“a bizarre adult infant freak with pre-adolescent sexuality and Yoda-like wisdom”) in the band’s videos for “(I Can’t Get No) Satisfaction” and “Peek-a-boo” and later was a dancer on David Bowie’s 1987 Glass Spider tour. (Rumor was he was coached by dance guru Toni “Mickey” Basil.) Lead guitarist Geza X known for his art-damaged surf guitar and trumpeter Hal Negro known for being a trumpeter in a punk band. Famed for its Cuisinarty mixing of influences: name-checking ORNETTE COLEMAN (whose song “Themes from a Symphony” they covered), Sun Ra, George Clinton and James Brown along with the New York Dolls, T.Rex and The Sex Pistols. Also may have pioneered the hipster practice of the Ironic Cover Song: from the Green Acres theme to the “Cal” Worthington used car commericals. Evolved into the pioneering LOUNGECORE band Hal Negro and the Satin Tones, with the Cupcakes evolving into the Playboy Martinet-aping Punk Bunnies.

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One of the more phenomenal new bands of the last year is Austin, TX’s SPRAY PAINT. To date they’ve put out two 45s of minimalist, splattering art punk that follow and expand upon the Urinals/A-Frames model. This one’s “Pro Knife” from the first of the two singles, and came out last year.

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The Hemorrhage Archives

One thing I enjoy about Tumblr is the cool visual templates you can engage with. The “archives” section of Dynamite Hemorrhage – this blog – is really eye-popping. Click on the link above, and you’ll see an easy visual guide to everything I’ve posted since September.

I know this isn’t news to you Tumblr vets out there, many of whom have cooler-looking blogs than I do. Maybe I just want you to read my blatherings and look at my pics.

The Hemorrhage Archives

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I made this compilation for my main blog The Hedonist Jive back in May of this year, and figured you folks might want to take a crack at hearing and downloading it. 

It’s called “Hedonist Jive Post-Punk Blowout” (clever, hunh?) and spans the proverbial gamut from aggressive, limber noise; female-vocal art-thump; left-of-center punk rock; and early British DIY (including that blog’s namesake song from The Midnight Circus). Some of these songs have been favorites of mine since I was a wee pup; other were only discovered in the past decade of so. All date from 1978 to about 1983 and fit the already loose “postpunk” category very loosely.

There are two ways to enjoy this playlist – download here and “own” the mp3s I’ve carefully handpicked for ya, or go over to the playlist I made on 8Tracks, and listen to it streaming on your iPhone, Android devices or your computer. Same songs both ways. 

Download The Hedonist Jive Post-Punk Blowout.

HEDONIST JIVE POST-PUNK BLOWOUT

1. SPK – Contact
2. DESPERATE BICYCLES – Smokescreen
3. VIRGIN PRUNES – Twenty Tens (I’ve Been Smoking All Night)
4. BUSH TETRAS – Too Many Creeps
5. 2x4s – Zipperheads
6. THE POP GROUP – 3:38
7. THE MISFITS – Cough/Cool
8. AU PAIRS – Set Up
9. WIRE – Outdoor Miner
10. THE FLOWERS – After Dark
11. ½ JAPANESE – Girl Athletes
12. SIOUXSIE & THE BANSHEES – Trophy
13. NOH MERCY – Caucasian Guilt
14. FLIPPER – Ha Ha Ha
15. SUBURBAN WIVES CLUB – Guru Eye
16. THE HOMOSEXUALS – Technique Street
17. THE BIRTHDAY PARTY – Jennifer’s Veil
18. MIDNIGHT CIRCUS – The Hedonist Jive
19. THE GORDONS – Future Shock
20. PYLON – Cool
21. THE FALL – Eat Y’Self Fitter
22. SARA GOES POP – Arab o Habab of Arabia
23. REMA REMA – Rema Rema
24. TEDDY & THE FRAT GIRLS – I Owe It To The Girls
25. TUXEDOMOON – No Tears

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This is a 1966 mod/psych/soundtrack-y pop song about gunplay from a woman named PATTI SEYMOUR called “The Silencer” that I’ve been digging for years. It sounds like something from a Bond soundtrack, wouldn’t you agree?

Can’t even remember how I stumbled upon this mp3, but if you look hard enough on the interwebs I’m sure you’ll come across it. 

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The best thing about 90s pop band THE GODRAYS, besides their drummer/sometimes singer’s name being Phoebe Summersquash, is this song. It’s called “Boyscout Thriller”, and it’s from a mostly solid album from 1996 called “Songs For TV Stars”. Summerquash sings it, and it’s the only one on the album she does.

As I have learned, two members of the band were once in Rhode Island’s SMALL FACTORY. I remember many a twee fan busting a nut over them in the early 90s. I betcha this song’s even better.