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The new issue of DYNAMITE HEMORRHAGE (#3) print fanzine features a 12.5-page “oral history” with San Francisco’s WORLD OF POOH, a big late 80s favorite of our editor, and who each graciously contributed fragments from their fading memory banks in the service of telling what ended up being a pretty fantastically entertaining tale.

The band also have graciously contributed two never-before-heard-in-public live tracks from one of their final shows, one talked about at length in the oral history, from March 11, 1990′s show at Boston’s Paradise Theater on their star-crossed “three-legged goat over the mountains” tour.

You’ll get to hear, with some degree of accuracy, what made them so special at the end of their reign (which happened to be when I saw them a bunch). The songs are “Somewhere Soon“ and a cover of BoC’s “Dominance and Submission”.

Grab them here – and grab Dynamite Hemorrhage #3 here if you’re so inclined.

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DYNAMITE HEMORRHAGE #3 is now available and shipping.

It features:

  • The definitive story of THE VELVET UNDERGROUND APPRECIATION
    SOCIETY
    , as told through an interview with VUAS founder Phil Milstein.
    Find out what it was like to lead the secret society of Velvets fiends
    in the 1970s and how Milstein managed VUAS with the fans and with the
    Velvet Underground members themselves.
  • An epic, Homeric oral history of wiry & jagged 1980s San
    Francisco pop band WORLD OF POOH, as told by band members Barbara
    Manning, Brandan Kearney and Jay Paget themselves, as well as choice
    anecdotes from those who witnessed their rise, reign and collapse
  • In-depth interviews with four of the finest acts making rock and
    roll music in the year 2016: WHITE FENCE (Tim Presley); Portland, OR’s
    LITHICS
    ; Oakland’s RAYS and Auckland’s THE COOLIES
  • An interview with phenomenal lost folk singer SIBYLLE BAIER, whose
    early 1970s recordings from Germany appeared a decade ago and stunned
    the world. We found her & gave her the Dynamite Hemorrhage
    once-over, and then went and interviewed & celebrated five of her
    ghostly folk “heirs” (MAXINE FUNKE, JULIE BYRNE, ALLYSEN CALLERY, JOANNE
    ROBERTSON
    and MYRIAM GENDRON
    ) as well as part of the piece
  • “BELOW THE FLYING NUN”, Gregor Kessler’s piece on some of the wildest and most obscure New Zealand 45s of the 1980s
  • An interview with SARA FANCY, aka “Sara” from early 80s UK DIY acts
    Sara Goes Pop and Amos & Sara. You’ll learn about her journey from
    the squats of Europe to the bodybuilding competitions of the 90s to the
    tranquil equine therapy practice she leads today. A fascinating glimpse
    and first look back she’s given on her time spent making music with Jim
    Welton (aka L Voag, Amos etc.)
  • The first-ever posthumous interview with early 80s all-female
    Belgian punk band UNIT 4, who surfaced on the “FM-BX Society Tape” in
    1981 with four amazing songs of shimmering Kleenex/Delta 5/Au Pairs-ish
    brilliance.
  • David Perron’s “FREE FORM FREAKOUT” column of outside and experimental tape & LP releases from the last year
  • Jay Hinman and Erika Elizabeth also wrote 82 record reviews devoted
    to the nether regions of sub-underground rocknroll and elsewhere

ORDER YOURS HERE.

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Just as with last year’s quick-disappearing 45, those purposely mysteriouso robot-punk spazz-outs from Indiana, CCTV, threw a blitzkrieg practice tape out there last month to see how fast it either vanished or regenerated. It’s the new collector scumbait – free files passed to one or two pimply punks w/ modems, then spread virally.

The band continues to be this phenomenally frantic, tight juggernaut with a Betty Boop vocalist, cramming moves from The Deadbeats, Dow Jones & The Industrials and Devo into sixty-second blast-off canisters. Then, for good measure, they sped up the new tape by a few seconds to amp up the adrenaline. It’s exceptionally blown-out fun, and I really can’t think of a single reason why anyone might want to steer clear.

So to help further their legend, here are the first two CCTV tapes in one convenient place, in case you were in need of hearing them.

Download here.

Track listing:

“Rehearsal Live Recording”

  1. Poison Idea Intro
  2. I’m Annoyed
  3. Gossip
  4. Schaumburg Song
  5. Paranoia
  6. Quiet
  7. Mind Control
  8. Interlude
  9. Men in Punk
  10. Shittalker’s Demise
  11. Outro

“Practice Tape 3.6.16”

12.  Song
About Gossip & Inclusivity

13.  Song
About Shittalker’s Demise

14.  Song
About Anxiety

15.  Song
About Schaumburg, IL

16.  Song
About Sex In A Can

17.  Interlude
1

18.  Song
About KnowItAllSayItAll’s

19.  Song
About Men in Punk

20.  Song
About “……”

21.  Song
About a Big Plan

22.  Interlude
2

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(Originally published on my Agony Shorthand blog in October 2005)

THE FIERY FURNACES – “Rehearsing My Choir”

I attempted some ominous and self-preserving foreshadowing when I reviewed the FIERY FURNACES’ singles collection a couple of months ago, as an ill wind was blowing in from Brooklyn that promised some bitter gruel in the form of what all parties are now bitterly calling “the grandma album”.

Yes, I too was frightened by the concept and knuckleheaded audacity of the Freidbergers’ grandmother singing lead on the band’s new album, but the results are far worse than I expected – and it’s not even Grandma’s fault. Poor Grandma, wanting to support her progeny and their chosen career path in alternative music, forced to give voice to all her old-time stories of relationships & family quarrels & her mundane travels throughout Chicago, all so the kids can giggle and titter about their bold creative masterstroke. You might ultimately get used to the old woman’s voice – which is definitely not a “singing” voice – but you’ll never, ever forgive the band for foisting it on you.

Meanwhile, the Fiery Furnaces, once a rock band, have quickly devolved into pure tin pan alley schtick, full of waltzing pianos, burbling techno nonsense and straight-up 42nd-and-Broadway blather right out of “The Fantasticks” or “Annie Get Your Gun”. You might have previously hated how their songs often stopped on a dime and became something completely different, a tactic they employed on the excellent “Blueberry Boat” to strong effect. Here it’s just going-through-the-motions idiocy, a method delivered on every track just because that’s the way they do things now, not because it sounds good or results in a killer song.

Eleanor Freidberger, she of the deep and playful voice I happily compared to PATTI SMITH not 18 months ago, now annoys every time she speak-sings her lines on this one. Maybe it’s because the band insists on throwing out tons of vague arcana about their former hometown of Chicago in every other breath, which is something that’s ill-making even when a San Francisco band does the same about the neighborhoods I love. Or maybe it’s because Eleanor decided that instead of being a rock and roll singer, the one who blew me away on their debut “Gallowsbird’s Bark”, she’d rather be some nonsense-spouting weirdo gadfly instead. Or one who makes Grandma do the same.

Look, I hate to summarily eviscerate a band that I’ve been holding up as a shining example for others to follow, but “Rehearsing My Choir” is an abomination. Worse, I’m fairly certain that the band knows this. My guess is that the Freidbergers wanted to cleverly make the recorded equivalent of a “Midnight Movie”, something that would garner a cult-ish following from dare-to-be-different alternajerks – but uh oh, they made a steaming pile of crap instead! Unless they come back shortly with a record nearly the equal of their first two, which is unlikely, I think that this month of bad reviews and unsold CDs will be the last month in which the Fiery Furnaces receive any significant attention.

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NOW TAKING PRE-ORDERS

** Pre-Order Now – out the first week of May 2016 **

Dynamite Hemorrhage #3 is an 84-page music fanzine devoted to
sub-underground music from the last five decades. Like the others, this
is an 8.5"x11" MAGAZINE with a color cover and B&W insides.

It features:

  • The definitive story of THE VELVET UNDERGROUND APPRECIATION
    SOCIETY
    , as told through an interview with VUAS founder Phil Milstein.
    Find out what it was like to lead the secret society of Velvets fiends
    in the 1970s and how Milstein managed VUAS with the fans and with the
    Velvet Underground members themselves.
  • An epic, Homeric oral history of wiry & jagged 1980s San
    Francisco pop band WORLD OF POOH, as told by band members Barbara
    Manning, Brandan Kearney and Jay Paget themselves, as well as choice
    anecdotes from those who witnessed their rise, reign and collapse
  • In-depth interviews with four of the finest acts making rock and
    roll music in the year 2016: WHITE FENCE (Tim Presley); Portland, OR’s
    LITHICS
    ; Oakland’s RAYS and Auckland’s THE COOLIES
  • An interview with phenomenal lost folk singer SIBYLLE BAIER, whose
    early 1970s recordings from Germany appeared a decade ago and stunned
    the world. We found her & gave her the Dynamite Hemorrhage
    once-over, and then went and interviewed & celebrated five of her
    ghostly folk “heirs” (MAXINE FUNKE, JULIE BYRNE, ALLYSEN CALLERY, JOANNE
    ROBERTSON
    and MYRIAM GENDRON) as well as part of the piece
  • “BELOW THE FLYING NUN”, Gregor Kessler’s piece on some of the wildest and most obscure New Zealand 45s of the 1980s
  • An interview with SARA FANCY, aka “Sara” from early 80s UK DIY acts
    Sara Goes Pop and Amos & Sara. You’ll learn about her journey from
    the squats of Europe to the bodybuilding competitions of the 90s to the
    tranquil equine therapy practice she leads today. A fascinating glimpse
    and first look back she’s given on her time spent making music with Jim
    Welton (aka L Voag, Amos etc.)
  • The first-ever posthumous interview with early 80s all-female
    Belgian punk band UNIT 4, who surfaced on the “FM-BX Society Tape” in
    1981 with four amazing songs of shimmering Kleenex/Delta 5/Au Pairs-ish
    brilliance
  • David Perron’s “FREE FORM FREAKOUT” column of outside and experimental tape & LP releases from the last year
  • Jay Hinman and Erika Elizabeth also wrote 82 record reviews devoted
    to the nether regions of sub-underground rocknroll and elsewhere

ORDER IT NOW & YOU’LL GET IN IN EARLY MAY, and that’s a promise!

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Futures & Pasts | 04.16.16

futuresandpasts:

Freeform Portland officially launched on FM this past weekend after a few weeks of online-only streaming & this was my first show at the station that went out over actual airwaves, which was super exciting. If you live in N/NE Portland (roughly), you can catch us at 90.3FM now, but freeformportland.org works for everyone regardless of where you’re physically located. 

Download the show here. Stream at the link above.

Artist – Song Title – Album Title – Label

The Terminals – Blistering Heart – Disconnect EP – Flying Nun
Sticks – Come Back – Under Pressure 7” – M’Lady’s
The Wipers – Window Shop For Love – Is This Real? – Park Avenue
Witching Waves – You – V/A – Days of Our Youth cassette – Bomb the Twist
Anorexia – I’m A Square – Rapist in the Park 7” – Slim
Disco Zombies – Heartbeats Love – Drums Over London 7” – South Circular
Huggy Bear – Her Jazz – Her Jazz 7” – Wiiija
Information – Let’s Compromise – V/A – Tape #1 – self-released
Lizzy Mercier Descloux – Wawa – Press Color – ZE
Lithics – The Thing in Your Eye – Borrowed Floors – Water Wing
The Vultures – Good Thing – Good Thing EP – Narodnik
Scissor Fits – I Don’t Want to Work For British Airways – Taut? Tense? Angular? And Other British Rail Sandwiches 7” – Dubious
Marzipan – I Believe – I Believe 7” – Echonet
Moss Lime – Rock Paper – Zoo du Quebec – Telephone Explosion
ESG – You Make No Sense – Come Away With ESG – 99
The Luddites – The Follower – The Strength of Your Cry 7” – Xcentric Noise
Far Corners – Empty Mine – s/t EP – Limited Appeal
Boomgates – Cameo – Bright Idea 7” – RIP Society
Au Pairs – Domestic Departure – You 7” – 021 Records
St. Vincent & the Grenadines – Look to See – Look to See 7” – Randstock
Dog Faced Hermans – Frock – Every Day Timebomb – Vinyl Drip
Andy Human & the Reptoids – Sarcastic – Sarcastic 7” – Goodbye Boozy
Trash Kit – How D’You Do? – Teenagers 7” – Upset the Rhythm
The Bats – My Way – By Night EP – Flying Nun
Instant Automatons – Laburnum Walk – Sincerely Making a Noise – BFE
Negative Scanner – CPD – s/t – Trouble in Mind
Mission of Burma – Forget – Vs. – Ace of Hearts
Chapter 24 – 4454 – Spindle 7” – Oddbox
The Flatmates- Tell Me Why – I Could Be in Heaven 7” – K
Girls At Our Best! – Getting Nowhere Fast – Getting Nowhere Fast 7” – Record Records
City Yelps – Shut Up – The City Yelps Half Hour – Oddbox
The M&M’s – I’m Tired – I’m Tired 7” – Quark
Meat Whiplash – Here It Comes – Don’t Slip Up 7” – Creation
Chroma – Intervención y Disciplina – Cuerpos Dóciles – Nada Nada Discos
Taiwan Housing Project – White Frosted – Three Songs Record 7” – M’Lady’s
The Gordons – Future Shock – Future Shock EP – Flying Nun
The Dream Syndicate – Then She Remembers – Days of Wine & Roses – Slash
Screaming Sneakers – I Can’t Help It – Marching Orders EP – self-released

Futures & Pasts | 04.16.16

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Just got the new TOTALLY NANG fanzine (#3) in the mail. It’s a small-size corker. It’s run by Dee from Glasgow, Scotland, and her tastes run to the esoteric & experimental outer fringes of rock & folk & elsewhere.

#3 has the first half of an interview w/ Heather Leigh; a big piece on the No Fans Box Set; a thing on Florian Hecker; an interview w/ Tim Goss from Call Back The Giants; live reviews & overviews of Sophie Cooper, US Girls and more.

I’m a big fan of the ‘NANG and you might want to be as well. Order it here.