My cellular telephone captured thirty seconds of THE LAMPS playing Teddy & The Frat Girls’ “I Owe It To The Girls” this past Friday at The Echo in Los Angeles.
I wept openly.
(Source: https://www.youtube.com/)
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We had a blast at the In the Red Anniversary party! All the bands were excellent. Thanks to Larry Hardy and The Echo for hosting this event. Photos by Carl Pocket.
I was fortunate to have attended this one on Thursday. I’ve seen the Cheater Slicks five or so times, none since 1999, and this was, quite surprisingly,
the BEST.
Corrections and Mea Culpas
- The Australian band that I’ve played on recent Dynamite Hemorrhage Radio podcasts is called WOODBOOT, not WOODBOT. Oh dear.
- Dynamite Hemorrhage Radio #75 back-announced a song by @myriamgendron that I didn’t actually play. Whoops.
- In the late 80s San Francisco rock band World of Pooh, whose oral history runs to 20 pages in Dynamite Hemorrhage fanzine #3, Brandan Kearney played guitar, not bass; Barbara Manning played bass, not guitar. Mea culpa.
- The word “posthumous”, used repeatedly throughout Dynamite Hemorrhage #3, technically refers to someone or something that is dead. My use of the word in several instances is therefore incorrect; for example, Sibylle Baier is very much alive, and therefore her “posthumous” album was merely issued well after the time she recorded it, not after she shuffled off of this mortal coil. Jesus criminy.
Phil Milstein started THE VELVET UNDERGROUND APPRECIATION SOCIETY in 1977, a time when several of the band’s albums were out of print and when they had nothing quite near the cultural caché they have today.
Dynamite Hemorrhage #3 interviews Mr. Milstein about VUAS and his interactions with the band members themselves. Why, it’s our cover story, in fact.
You can order it directly from Forced Exposure here.
https://api.soundcloud.com/tracks/271001350/stream?client_id=3cQaPshpEeLqMsNFAUw1Q?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio
Dave over at FREE FORM FREAKOUT took the time to give us at Dynamite Hemorrhage a real grilling, and this DH-focused podcast is the result. We talk about fanzine culture, music criticism, podcasts, high school new wavers, Sara Fancy and much more.
He even let us choose all of the music, so naturally it’s stuff we want you to like – or that was somehow formative/instructional during our youth.
The whole set list is here – and you can listen to or download the thing here.
Hey, i know this is kind of out of the blue but through some googling I saw that you had posted a download link for White Zombie’s KCSB session a few years back. Any chance you could post a new link for that? The one that was up wasn’t working. I’m a huge, huge fan of that early noisy stuff they did and would love to hear it outside of what’s on YouTube. Thanks!
No problem. My DivShare account went offline and that link died with it. Here’s White Zombie, recorded 5-25-88 on KCSB in Santa Barbara.
And here’s the piece I wrote on that night a while back.
After listening to hemorrhage dub#1 for over a month straight I just have to say; I LOVE THIS CHANGE OF PACE AND PLEASE, PLEASE MAKE A DUB#2!
Hey, thanks a lot – yeah, I’m assembling tracks for a 2nd one as we speak. Hope to create “Hemorrhage in Dub #2″ within the next week.
Anyone remember HEMIOLA RECORDS?
UK label run by a woman named Justine. She placed this ad in Superdope #6, a fanzine I put out in 1993. The Fly Ashtray and TFUL282 records she released were quite excellent.
If you’re as into Tim Presley’s music as we are – WHITE FENCE, WX, DRINKS and so on – you might want to check out our interview w/ the man in Dynamite Hemorrhage #3.
AGONY SHORTHAND 