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Since I never saw THE FLESH EATERS in their early 80s incarnation(s), getting to first a DIVINE HORSEMEN (‘86) and then a STONE BY STONE show in 1989 were big, big deals to me at the time. I was, and continue to be, a huge Chris D. worshipper, and though neither band floored me the way hearing the recently-deceased Flesh Eaters did when I got acquainted with them around 1985, their live shows were great.

Here’s a set list I swiped off the stage of Los Angeles’ Anti-Club when STONE BY STONE played there in ’89. It is effectively the entire contents of their one and only album, released on SST around that time.

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https://www.tumblr.com/audio_file/dynamitehemorrhage/32880897235/tumblr_mbdr4vELBD1rex6a7?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio

In 2002, San Francisco band NUMBERS were my favorite musical act on the planet. I got to see them play multiple times as their hyper, Bulb Records-inspired, technology-gone-awry dance/postpunk was becoming fully formed. It was pretty ephemeral, too, because after about a year, they’d pretty much played the whole concept out and started releasing some pretty mediocre records. 

I’ve listened to “Numbers Life”, however, at least once every six months since it came out that year. Not much of a commitment, considering it’s over and done in 20 minutes, but absolutely one of my favorites of the first decade of our young century.

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Dynamite Hemorrhage’s Top Tumblr Annoyance, 10-4-12

Here’s my Tumblr pet peeve. Lots of folks can create content in the blink of an eye, and when sharing a photo, that’s exactly what makes the platform great. Throw it up there with no accompanying text, and let the visual speak for itself. It can be “consumed” in the space of one second.

With a song, which Tumblr makes just as easy to upload, consumption asks for and requires much more from the consumer. So don’t just plaster up a song with zero explanation, OK? Most of us are looking at this stuff on work computers and/or mobile phones, and aren’t in spaces in which we can easily start listening to the music in question. For me, I need to pick and choose what I’m going to listen to, and though I’m following a bunch of obviously well-informed music curators, listening to your rad song is likely going to be later than when I first see it. I’ll get to it when I’m in the car & have my phone hooked up to my car speakers, or when I’m at home and have some solo time to scroll through my feed and actually consider all the music being thrown at me.

Help yourself cut through the clutter, and give me and everyone else a reason to click on the songs you post. Who’s the band, when’s it from, what sort of musical lineage does it spring from – that sort of thing. You’ll make a Tumblr greenhorn like myself mighty happy.

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https://www.tumblr.com/audio_file/dynamitehemorrhage/32835576722/tumblr_mbcc8svQan1rex6a7?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio

Anyone remember the ABE FROMAN “Baltimore is Scum” EP from 2000? Hey, not me! That won’t stop me from throwing this track from it at you for goodtimes’ sake.

As I understand it, they were a trio from East Lansing, MI at the turn of the century, and, having heard the EP, it’s not like it’ll blow your female-fronted punk-loving mind across the board, but you’re certain to agree with me that the kick-off track “Russian 101” is a ripper. 

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Two of these three individuals were my roommates circa 1988-89, and their band, ALICE FELL, were widely considered at the time to be the best our college town of Isla Vista, CA had to offer – and the ones poised for eventual success beyond the boundaries of Del Playa and Sabado Tarde Blvds. Ironically, MONOSHOCK sprang from this scene as well, and though it couldn’t quite be seen at the time, they ended up having an impact on multiple folks’ musical development even beyond US borders. Rad.

Alice Fell were were a heavy indie band with one foot in “Workingman’s Dead” and the other in “VS.”, though no one in the band claimed an affinity with either the Grateful Dead or Mission of Burma. They were all into SST stuff, Neil Young, some hardcore punk and even tripped-out krautrock before anyone cared about that stuff. They even nailed a couple of opening gigs with The Lazy Cowgirls in Los Angeles around that time, which we thought was pretty big-time. Great guys, great music, and they never recorded a thing. May their legacy live on in the hearts and minds of those who loved them.

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Here’s my latest mix up on 8Tracks called CHICK HABIT. It’s a collection of female-fronted masterpieces from the modern age, including stuff from the 60s, 70s, 90s and hell, even 2012. Everything’s got a little bit of harmony, a little bit of dirt, and a girl or a woman in the lead vocal position. Examples include Sally SkullWorld of Pooh and Holly Golightly. Fall in love all over again.

http://8tracks.com/hedonistjive/chick-habit

  1. SALLY SKULL – Running Kind
  2. THE WENDY DARLINGS – Get Up
  3. WORLD OF POOH – Strip Club
  4. PAMELA – I’m Nobody (Cold Shoulders)
  5. HOLLY GOLIGHTLY – I Can’t Be Trusted
  6. NORMA TRACY & THE CINDERELLA KIDS – Skateboard
  7. CRACK UND ULTRA ECZEMA – Buddy’s a Good Boy
  8. LOVE IS ALL – Motorboat
  9. LORETTE VELVETTE – Boys Keep Swinging
  10. THE COATHANGERS – Bury Me
  11. GAZE – So Early To Tell
  12. LES CALAMITES – Le Supermarche
  13. LUSH – Hey Hey Helen
  14. THE GORLS – Tracie
  15. THE NIXE – You Say
  16. THE SCHOOL – I Wouldn’t Know What To Do
  17. LINDA LAINE – Low Grades & High Fever
  18. HABIBI – Far From Right
  19. DETECTIVE AGENCY – Daggers
  20. APRIL MARCH – Chick Habit
  21. NANCY SINATRA – You Only Live Twice