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https://www.tumblr.com/audio_file/dynamitehemorrhage/35364422450/tumblr_md8t6w9UgJ1rex6a7?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio

I’d assumed I’d heard absolutely every top-tier, A+ 1960s garage punk song ever created. Sure, there are a few B+ ones out there I might not have heard yet – but jesusBUD & KATHY’s “Hang It Out To Dry”??! What a monster. A+ with bells on.

I’ve passed up the eponymous LP comp this is on for decades because I reckoned it was all C-grade material. Otherwise, I’d have already heard it, right? Wrong.

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Ever had a guilty musical pleasure? Sure you have. In addition to loving early Rod Stewart, various trilling baby-talk songs by Kate Bush and the complete recorded works of Tammy Wynette, I happen to also very much enjoy elements of Omaha, Nebraska party/loud pop/synchronized dance band TILLY AND THE WALL. And I saw them play live last night for the first time. And lo, it was good. 

I almost blew it off entirely, having bought the ticket right when the show was announced, yet before hearing their godawful new album “Heavy Mood”. As I wrote about back in 2008 when I first heard them, they’re probably the most overtly commercial indie-rock band I’ve ever liked, but that’s not damning them. Before their dumb dance-yr-ass-off new disco record with mostly terrible songs, they were a very unique act. Read my explanation here for what attracted me to them in the first place. 

As it turns out, that’s what they were like live, too. All cynicism melted away very quickly. I mean, they throw balloons into the crowd, people! Are you with me? Sure, one of the singers was right out of dumb-rocker central casting: “You guys are so AWESOME tonight, San Franicsco!”. “Oh my god you guys, your town is so AWESOME! Can I move here?” etc. But they played the songs I liked and very little of the new album, and they played them all with zest and panache. A woman tap danced. Their straight-up dance song “Beat Control”, which I actually had to talk myself into not rejecting out of hand when it came out, was great. I stayed through the encore. I’d probably even go again, knowing what I know now. So sue me.

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https://www.tumblr.com/audio_file/dynamitehemorrhage/35287005066/tumblr_md6rpyPe4c1rex6a7?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio

TIMES NEW VIKING have a brand-new EP out. They’re back on Siltbreeze, now wizened in the ways of harmony, hooks, subtlety and New Zealand-style restrained washes of jangle and distortion. The EP, which to be sure I’ve only listened to once since I bought it yesterday, continues the march in these directions that was codified on their “Dancer Equired” LP last year.

Take a listen to “Middle Class Drags” and see what you think.

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Curated Chaos from Ribbon Around a Bomb

Somehow found this site whilst frolicking around the internet & it’s now bookmarked for some deep divin’. Ribbon Around a Bomb is a burgeoning multimedia empire helmed by La Lengua, and she’s pretty rad across the board. Her radio show and podcast is 100% female-fronted punk rock, postpunk and no-wave noise, and I swear, I don’t know how these youngsters know so much about music these days, but goddamn it, they do, and they’re doing laps around us. She’s got a lot to teach me about the past & the present, and indeed all of us.

Moreover, Ribbon Around The Bomb website’s sort of a modern primer on past & present outsider art, music, photography and style. It’s a visual onslaught of photos, links, flyers and all sorts of underground ephemera. I’m just getting really acquainted with it right now. Wanted to make sure you had a chance to do so as well – download a couple of radio shows and get clicking right here.

Curated Chaos from Ribbon Around a Bomb

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This is a flyer for a short-lived, never-recorded band called EARLY MAN SITE, live in San Francisco about 1991 or 1992. The band comprised all three members of MONOSHOCK, who had stopped playing in Isla Vista in 1989 when Grady Runyan graduated from college.

All had relocated to the San Francisco Bay Area by 1991, and Early Man Site had been formed by Scott Derr & Rubin Fiberglass back in Isla Vista in Grady’s absence. They reassembled that band in the Bay Area, with Grady on third guitar. Bruce Shinden and Tom Krueger were the other members of the 5-piece. That, of course, morphed into Monoshock mkII, minus Bruce, and with Tom often showing up on drunken saxophone.

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https://api.soundcloud.com/tracks/52236202/stream?client_id=3cQaPshpEeLqMsNFAUw1Q?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio

Hot band alert, people. At least for fans of locomotive, learning-to-play garage pop. One of the better new pop tracks I’ve heard is this fuzzed jangler, “Yours Not Mine" from Monterey, CA’s BURNT PALMS. Monterey! When was the last time an exciting band came outta there – Dura–Delinquent? Two women, Clara Nieto and Christina Riley, helm this group, and have Paul Towber sitting in the bass position.

You can download or listen to Burnt Palms’ entire recorded works – the whole "album” is excellent – here.